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General page example

A ceremony marking the completion of the First Transcontinental Railroad was held at Promontory Summit in the Utah Territory on May 10, 1869. The route, formed by the joining of the Central Pacific Railroad and the Union Pacific Railroad, enabled passenger and freight trains to travel between the east and west coasts of North America and was immensely beneficial to the development of the western United States. To commemorate the occasion, a 17.6-karat gold final spike was driven in by Leland Stanford to connect the rails of both lines.

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"Faces" is an episode of the American science fiction television series Star Trek: Voyager. First broadcast by UPN in May 1995, it was developed from a story by Jonathan Glassner and Kenneth Biller. Set in the 24th century, the series follows the adventures of the Starfleet and Maquis crew of the starship USS Voyager after they are stranded in the Delta Quadrant.

He creates two clones, human Torres and Klingon Torres, to serve as test subjects; these were treated as two separate characters during the development and filming of the episode. The episode was developed as a character study to further explore Torres' internal struggle with her identity. Dawson (pictured) said that it deepened her understanding of the character and strengthened her acting.

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The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900.

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The Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge.

Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824.

After that initial purchase the Gallery was shaped by its early directors, notably Sir Charles Lock Eastlake, and by private donations, which today account for two-thirds of the collection. The collection is small compared with many European national galleries, but encyclopaedic in scope; most major developments in Western painting are represented with important works.

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It used to be claimed that this was one of the few national galleries that had all its works on permanent exhibition, but this is no longer the case.

The Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge.